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February 2, 2010 10:59 AM PST
'Avatar,' 'Star Trek,' 'District 9' get visual-effects Oscar nods
by Daniel Terdiman Font size Print E-mail Share 13 comments Yahoo! BuzzShare
On Tuesday, the Academy of Motion Picture Arts and Sciences announced the 2010 Oscar nominations. Among them were three nominations for visual effects and five for best animated feature.

(Credit: Fox)
In case you weren't paying attention, 2009 was a banner year for big, big visual effects movies.

And the teams that crafted the most impressive work were honored Tuesday morning, along with all the best and brightest in filmmaking, when the Academy of Motion Picture Arts and Sciences announced the nominations for the 2010 Oscars.

Here at CNET News we have a special place in our heart, as you might expect, for visual-effects-heavy movies because of the fantastic amounts of technology and computing power that goes into them.


Oscar's VFX and animation nominees (images)

As usual, the Academy chose just three films as visual-effects nominees. That number seems smaller this year, given that it's the first time that 10 movies were singled out as the potential best film of the year.

Still, to those who follow visual effects, there's probably little shock this morning in the fact that the three nominated films were: "Avatar," James Cameron's record-breaking anti-colonialism epic; "Star Trek," the latest, and some would say the best, in the long history of movies of the Gene Roddenberry franchise; and "District 9," from director Neill Blomkamp.

Perhaps the only real surprise was that "2012," Roland Emmerich's fantasy about an apocalypse long foreseen on the Mayan calendar, wasn't nominated. But in a year with several very strong candidates, it was clear that not every one of them would earn a nomination.

Also gracing the nominations was a CNET favorite, Pixar's "Up," for best animated feature. That film, Pixar's 10th straight big hit, was joined by several other strong contenders: "Coraline," Wes Anderson's "Fantastic Mr. Fox," "The Princess and the Frog," and "The Secret of Kells."

From this corner, "Avatar" looks to be as big of a sure thing to win the visual-effects Oscar as I can remember. It's not that the work ILM did on "Star Trek" or that Image Engine did on "District 9" wasn't great. It's more that "Avatar" has taken the world by storm, breaking the all-time box office record--previously held, of course, by Cameron's own "Titanic"--and pretty much blowing everyone away with the creation of the fantastical moon of Pandora. I will be completely surprised if "Avatar" doesn't walk away with the Oscar on March 7.

As I've written previously, if "Avatar" wins the Oscar, it could be the big public coming out party for Weta Digital, director Peter Jackson's visual-effects studio. Within the industry, to be quite sure, Weta is well-known for its work on Jackson's "Lord of the Rings" trilogy and on his "King Kong," but my argument is that the company is not well-known by the public for its projects, which have already earned it four Oscars.

Either way, with nine nominations, including for best picture, best director, art direction, and cinematography, March 7 looks to be a big night for Cameron and the countless people who made "Avatar." After all, while 2009 was a pretty good year for movies, Hollywood loves a smash, especially one that makes people look at things in an entirely new way. And for that, visual effects may well be the true star of Oscar night 2010.
Daniel Terdiman is a staff writer at CNET News covering games, Net culture, and everything in between. E-mail Daniel.
Topics: Entertainment, Hollywood, MoviesTags: Academy Awards,Avatar,James Cameron,Pixar,Up,Visual effects,Oscar,Star Trek,ILM,Weta Digital,District 9,Fantastic Mr. Fox,CoralineShare: Digg Del.icio.us Reddit Yahoo! BuzzFacebook Twitter
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Samsung signs RealD in nascent 3D TV market Add a Comment (Log in or register) (13 Comments) prev next by toomath February 2, 2010 11:28 AM PST
So...where is the line between "special effects" and "animation"? Avatar seems to have blurred that in a big way.
Like this Reply to this comment by bookshire February 2, 2010 11:55 AM PST
Blurred yes, but I would say any film where actual human actors are on screen and acting for a certain percentage of time, and if what they're doing contributes significantly to the plot, then it can't be called an animated film. The blurr come in what minimum percentage of the film they should be on screen.
Like this by The_happy_switcher February 2, 2010 11:39 AM PST
I can't believe they nominated Inglorious Basterds. That movie was the worst thing I saw last year and that includes 'Hostel,' too. Tarantino owes me a refund for that over self-indulgent pile of crap he calls a movie.
Like this Reply to this comment by t8 February 2, 2010 1:31 PM PST
I heard it had bad reviews but once I saw it I thought it was OK.
Like this by myles taylor February 2, 2010 2:00 PM PST
I haven't really met anyone who didn't like it. Plus it was a classic Tarantino movie so you should have gone in with your eyes wide open.
Like this by The_happy_switcher February 2, 2010 2:40 PM PST
THere was nothing classic about it. It was just the director over indulging himself in some stupid anti nazi fantasy. The bar scene nearly put me to sleep. I kept waiting and waiting for someone to get shot--all the while secretly hoping it would be the director. Also, the subtitles were a terrible distraction because the viewer is too busy reading that and missing any subtle acting by the actors. Terrible movie. A friend of mine and I were tempted to walk out half way through. Brad Pitt should win a Razzie for his performance, too.
Like this by shane--2008 February 2, 2010 11:54 AM PST
Mr happy switcher, you are too kind to Inglorious, it was far worse than you make it sound.

...which is why 2012 didn't get a nod. Screw the effects, it was a pathetic show.
Like this Reply to this comment by The_happy_switcher February 2, 2010 3:22 PM PST
Right, it deserves to win all the RAZZIES, though.
Like this by rmdesign February 2, 2010 12:07 PM PST
Are we forgetting that ILM played a big part in the effects for "Avatar". It wasn't just Weta, but very successful teams from both houses.
Like this Reply to this comment by ilsthey February 2, 2010 12:38 PM PST
I do not know if you care to be completely accurate, but 2009 is not the first year that the Academy has nominated 10 movies for Best Picture of the Year. They also did this in the 1930s and 1940s. But it has been a very long time.
Like this Reply to this comment by Shinespark February 2, 2010 12:45 PM PST
Perhaps this will raise awareness of special-effects awards among the laymen, but I won't be holding my breath. Maybe I'm just naïve.
Like this Reply to this comment by myles taylor February 2, 2010 2:02 PM PST
2012 was terrible. I don't care how good your special effects were, if you can't put it in a good story it doesn't deserve any kind of award. Too many films these days fail on the acting, direction, the story, and many other things but because they have amazing special effects and giant marketing engines, they're supposed to win awards. The only reason why this isn't always true is because the ones who do the special effects often have nothing to do with the rest of the story and deserve to have their work recognized.
Like this Reply to this comment by ralph103 February 2, 2010 2:22 PM PST
I know people who didn't give the vfx in avatar a second thought and just assumed it was prosthetics

avatar wins
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